0 Jazz WPG Festival – Mira Black, Keith Price & Nathan Reimer

Keith Price
Mira Black
Nathan Reimer

SATURDAY, JUNE 22
10:30 PM
RACHEL BROWN THEATRE
(211 BANNATYNE AVE.)

SUPER PASS, CLUB PASS OR WRISTBAND VENUE!
INDIVIDUAL TICKET: $15 in advance

Mira Black’s voice is stunning, with its soulful, emotive three-octave range. For this performance, she brings her original compositions painted within a tapestry of electronic and organic instrumentation with the theatrical flair we’ve come to expect and adore. This time you will experience the vibrancy of Cirque du Soleil with the tenacity of Glitch Mob, the sensuality of Sade and the intelligent poeticism reminiscent of Joni Mitchell. Mira, along with contemporary jazz guitarist Keith Price and the interpretive programming of Moses Mayes’ Nathan Reimer, skillfully investigates the trials and triumphs of love lost, sought, found, lamented, broken and cherished.

 

Jazz WPG Festival – Epp, Price & Presslaff

WEDNESDAY, JUNE 19
8 PM
CINEMATHEQUE
(100 ARTHUR ST.)

Part of The TD Jazz Winnipeg Festival

SUPER PASS, CLUB PASS OR WRISTBAND VENUE!
INDIVIDUAL TICKET: $15 in advance

Epp, Price & Presslaff combines the talents of three of Winnipeg’s most innovative musicians. An orchestra of three, they create a complex and colourful sound world as they spin their own arrangements of jazz, latin and original compositions.

Amber Epp is well known as the lead singer for Papa Mambo and Trio Bembe. She’s the winner of the 2011 World Recording of the Year from the Western Canadian Music Awards.

Jeff Presslaff is known throughout Canada for his award-winning composition/arranging skills, and his talents on piano and trombone. He has been among the leading voices in original music in Winnipeg since his arrival from New York in 1997.

Jazz WPG Festival – Keith Price Double Quartet

THURSDAY, JUNE 13
8:20 PM
OLD MARKET SQUARE

FREE

The Keith Price Double Quartet made quite a splash this spring with its debut performance as part of Jazz Winnipeg’s Nu Sounds Series. Guitarist Keith Price composed a new score for the classic film The Good, The Bad and The Ugly, for an eight-piece band with two bass players and two keyboardists. The group’s sound is heavily funkified, with space for improvisation and spontaneity. Inspired by Miles Davis’ electric period (think Bitches Brew), Price’s new band features Neil Watson (saxophone and flute), Jeff Presslaff and Will Bonness (keyboards), Marty Thiessen (electric bass), Julian Bradford (upright bass), Scott Senior (percussion) and Jaime Carrasco (drums). For this performance the band will leave the film behind and be free to follow the muse wherever it may take them.

Summer Jazz Camps 2013

I’m looking forward to my first year on faculty at the International Music Camp’s Jazz Session (July 14th- 20th, 2013). This will be the first time I’ve been to IMC since I attended the camp in the late-90’s/early 2000s.

http://www.internationalmusiccamp.com/

In August I’ll be teaching at the University of Manitoba Jazz Camp for a fifth year. Wow, I can’t believe its already been five years! Looks like Steve Wilson and Wycliffe Gordon will be coming back this year with the rest of the U of M’s excellent faculty.

http://umanitoba.ca/summer/jazz/

Currently teaching Guitar and Ensembles at ‘The Music Cellar’

I’ve thoroughly enjoyed my first year teaching at The Music Cellar in south-west Winnipeg. The students are talented, the parents are very supportive and the team of teachers are a lot of fun to work with. David and Brenda Schneider have created an incredibly welcoming learning environment and I’m looking forward to picking up next year where we’ve left off.

For more information about guitar lessons or The Music Cellar’s innovative new ensemble program, please click here: http://www.themusiccellar.com/

Jazz Winnipeg Nu Sounds – March 17th, 2013

Keith Price composed a new improvised soundtrack for parts of the film,’ The Good, The Bad, And The Ugly’. The film was treated as silent and the material was inspired by the jazz fusion period of the 1970’s.

Shaking up a spaghetti western

Guitarist goes the extra Miles to give film a new score

By: Chris Smith

The Good, the Bad & the Ugly

Guitarist Keith Price is re-scoring the classic 1966 spaghetti western The Good, the Bad and the Ugly without having heard the distinctive original by celebrated film composer Ennio Morricone.

And if that seems a bit reckless, it actually makes sense.

Price rightly believes that his writing would be influenced if he was familiar with the original soundtrack, which stayed on the charts for more than a year and whose title composition became a hit for Hugo Montenegro in 1968.

The Winnipeg guitarist is also right when he says he probably wouldn’t even have attempted the project for Jazz Winnipeg’s Nu Sounds series if he was competing with the celebrated Morricone.

In fact, Price’s first encounter with the movie was visual only — in a bar in Toronto with the film on the TV and the sound turned off.

Morricone’s compositions for the film included gunfire, whistling and yodelling. The main theme resembles the howling of a coyote and is a two-note melody used throughout the film.

“While working on it, I didn’t have the sound or subtitles on so I’d be free,” to compose without preconceived notions, he says in an interview. “I didn’t listen to the score so I wouldn’t be influenced. I couldn’t be creative with (Morricone’s) world-famous melodies in my mind.

“I have the gist of the story now,” he adds with a laugh.

“I felt ’70s Miles Davis music would work with this,” Price says, citing the rebel images of the cowboy characters in the film, played by Clint Eastwood, Eli Wallach and Lee Van Cleef, and of the famed trumpeter who opened a rift in the jazz world when he embraced electric instruments and shook things up with his Bitches Brew album.

“It really does fit,” Price says. “It’s fun, it works.”

Price’s show will consist of two 45- to 50-minute sets, not long enough to screen the two-hour, 41-minute film. “The first 50 minutes will be uncut,” Price says, “then a desert scene I like from later on, then the end of the film.

“I know the original score is quite famous. (Director Sergio) Leone even extended scenes because he liked the music.”

Guitarist Price will lead an eight-piece band: Jeff Presslaff and Will Bonness on keyboards; Neil Watson on saxophone; Marty Thiessen on electric bass; Julian Bradford on acoustic bass; Scott Senior on percussion; and Jaime Carrasco on drums.

Leading is a relative term, of course, as Price says. “I’m not scoring it all. I have written sketches for scenes, leaving lots of space to be improvising in. I really don’t know what it will sound like; things will happen on the fly — kind of raw.

“We’ll have two long rehearsals, but a lot of it will be improvised,” he adds.

Price says Davis’s fusion style, from the 1969 In a Silent Way album to the trumpeter’s retirement from playing in 1976, influenced what writing he is doing. “It will definitely sound a lot like that period,” he says.

As for the movie, with its original sound: “I’m looking forward to watching it when I’m done,” Price says.

Winnipeg Free Press Review of ‘Solo Guitar’

WINNIPEG guitarist Keith Price, more often seen wielding an electric guitar onstage, performs 11 acoustic tunes on his new solo CD.

And as any good Winnipegger should, he admits a debt to Lenny Breau’s style and covers Neil Young’s Old Man.

Price has proven himself as an electric jazz player on mainstream and more avant garde material.

Now, he demonstrates more delicate and laid-back chops on his own compositions and covers of Radiohead, The Weakerthans and Bob Dylan.

Price has a deft, soft touch on acoustic guitar honed, in part, from years of playing for hospital and CancerCare patients.

While it is not jazz, per se, Price’s jazz sensibilities permeate the disc. It’s a craftsman’s recording 4 stars

DOWNLOAD THIS: The Swan

— Chris Smith

Solo Guitar (2013)

Released: Tuesday, May 7th, 2013

Label: Independent

Solo Guitar Tour – Februrary 2013

Wine-Ohs Bistro & Cellar – Feb 7th – Calgary, AB (w/ Michelle Gregoire) 9pm

Owl Acoustic Lounge – Feb 8th – Lethbridge, AB 9pm

House Concert – Edmonton, AB – Feb 10th 7pm

Truffle Pigs Bistro – Feb 14th – Field, BC 6pm

The Slice – Feb 15th – Lethbridge, AB 8pm

The Streaming Cafe – Feb 16th – Kelowna , BC (No cover and streaming live on their website!) 7pm

Winston Lodge – Feb 17th – Golden, BC 7pm

Julian Award for Excellence for Emerging Canadian Artists

Julian Award for Excellence for Emerging Canadian Artists
by Peter Prentice

CJSF 90.1FM and The Jazz Spectrum are pleased to announce the four nominees for the 2013 Julian Award for Excellence for Emerging Canadian Artists.

The Julian Award is given to a Canadian jazz artist or group who are beginning to establish themselves on the Canadian jazz scene, have released an album in the past 18 months containing original material by a Canadian member of the group and who do not have a contract with a major international music label. First prize is $500 and second prize is $250.

This year’s nominees are:
Tyson Naylor Trio – Vancouver – Kosmonauten
The October Trio – Vancouver – New Dream
Keith Price Trio/Quintet – Winnipeg – Gaia/Goya
The Kyle Brenders Quartet – Toronto – offset

Listen to The Jazz Spectrum with host Peter Prentice Wednesday, January 30 from 6-7 PM. I’ll feature tunes by each of the nominees and then you will get to vote! Voting takes place from 7 PM PST on January 30th to Sunday February 3 at 9 PM PST.

You can vote by emailing me at prentice.jazzspectrum@gmail.com and simply say which artist you are voting for. Votes will be tabulated and the winner will be announced on The Jazz Spectrum Wednesday, February 6th.

Support Canadian jazz. Take in some live music locally and be sure to vote for your favorite Julian nominee!

Spirit of Kerouac lives on in beat-flavoured jazz suite

Spirit of Kerouac lives on in beat-flavoured jazz suite

Winnipeg guitarist Keith Price found inspiration on the road

Roger Levesque, Freelance

Published: Thursday, February 09 2012

Just as so-called “beat” writers like Jack Kerouac found inspiration in the freedom of jazz music, all sorts of jazz musicians have taken inspiration from the beats.

Winnipeg guitarist Keith Price is one of the latest to pay tribute in a six-part suite he calls Gaia/Goya, which also serves as the title of his recent album release.

“I was traveling around Europe with an acoustic guitar, listening to a lot of indie rock music and reading stuff by Gary Snyder and Kerouac,” he says. “I guess I was picking up a little on the romance of the beats. Instead of playing standards, I wanted to play something more current, something that came from that experience.”

Each part of the suite is dedicated to beat figures like Kerouac or characters in their work, or for Price’s friends or have some other cultural reference. The album also includes jazz covers of Nirvana and Sufjan Stevens.

Price says it’s hard for him to distinguish between straight-ahead jazz and his other musical influences – from chanting to grunge rock.

He grew up listening to various shades of pop and rock music and started strumming his grandfather’s guitar at age 11. But it was the school band director who exposed him to jazz and John Coltrane’s Giant Steps album that first grabbed his attention. Price was fascinated with improvisation, and then he found the recordings of former Winnipeg guitarist Lennie Breau.

“At first it was magic, it was like witchcraft,” he says.

“I wondered ‘how is it possible that they can be making this stuff up?’ and I could hardly believe it. I loved that it was in the moment, but it took me a long time to figure it out.”

After high school, Price attended a conservatory in Amsterdam, took lessons from Mick Goodrick in Boston, and returned to study at the University of Manitoba. He has worked in all contexts from big bands to the Royal Winnipeg Ballet.

His first album Breakfast Of Champions (2009) got him a nomination for the TD Grand Prix Du Jazz and a spot at the Montreal International Jazz Festival. And Gaia/Goya features some of the same musicians – bassist Julian Bradford, drummer Curtis Nowosad, on his current tour out west.

The trio plays the Yardbird Suite (102 Street, 86 Avenue) Friday at 9 p.m. Tickets are $14 for members, $18 for guests, from Ticketmaster (1-855-985-5000) or at the door.

 

 

 

 

 

 

Indie Jazz?

Indie Jazz? The Keith Price Trio

by Malcolm Petch

Keith Price is an indie musician. The Keith Price Trio is an indie group. Mention the term “Indie Musician” and what generally comes to mind is a casually dressed individual (i.e. contemporary hippie-type clothing) toting an acoustic guitar, singing and playing folksy-sounding songs they wrote themselves. The term “Indie Group”, on the other hand, usually conjures up images of earnest young men slamming around on electric guitars, playing self-written music that’s got enough of an edge to keep them slightly off-centre of mainstream but still pushing hard for a record deal; and they, too, are often dressed like modern hippies. This is a definition we’ve already (as in previously) tossed around in our newsletter, boys and girls.

Yet as soon as you hear the name “Keith Price Trio” you think, “Hey, what’s this ‘trio’ business all about?’ – and that’s your first inkling that something other than the pre-fab definition of indie group might be in play here.

Most of the promo photos of Keith Price show him in a casual beard. So far, so good. Some shots show him wearing a baseball cap – a trucker-style nylon mesh baseball cap; again, artist apparel that we’re familiar with here at Streaming Café.

But even the casual observer at this point notes that the guitar accompanying Price in all the shots is a lovely hollow-body electric, worn slightly higher on his body than most rockers would be comfortable with. And in pictures of the whole Trio, the bassist is seen with a double bass (you know, those giant violins that stand on a metal spike).

Aha!” you say. “This is a jazz group!”

Well, yes. The Keith Price Trio is a jazz group. (And now the ‘trio’ business makes sense). Price hails from Winnipeg, and has made his musical home in Manitoba by choice, even though he was offered a scholarship at New York’s New School University. Price spent time in Boston studying with guitar guru Mick Goodrick, but when it came time to put down roots, his choice was to spend time in the jazz program established by Steve Kirby at the University of Manitoba.

A jazz group? Aren’t jazz musicians / groups a little too esoteric for the likes of us at Streaming Café?” (SHHH! Don’t let them hear you saying that!!).

Here are a couple of examples of what’s different about Keith Price, and part of why the Keith Price Trio is booked to play SC:

–          Price produced Michael Peters’ latest album; Peters is an indie-pop singer/songwriter who appeared at SC back in the early days.

–          Keith Price Trio’s new album, Gaia Goya, features covers of tunes by artists like Nirvana, Sufjan Stevens, St. Vincent, and Grizzly Bear.

–          Six of the tracks on the new album are a suite that Price wrote while on his last tour, and they’re based loosely on Pink Floyd’s album Animals.

Nirvana. Pink Floyd. Definitely not your typical jazz fare. Sufjan Stevens. Definitely part of the faves playlist of most Streaing Café aficionados. Maybe this Keith Price Trio is more SC-like than might be first realized.

Keith’s own words to Michael, our talent-booking (amongst everything else) guy: “I’ve really enjoyed watching/hearing my friends Kim McMechan, James Lamb, and Michael Peters perform at the café. The quality of the recordings is always amazing and the vibe of the place seems really wonderful, even over the Internet.”

We like it when people tell us they like what we’re doing. And it’s good to hear that Price is friends with some of the artists who’ve played here (McMechan and Lamb have each been featured here on multiple occasions). And it’s good to know our live streaming has even reached into the land of Manitoba. But is that enough to make the Keith Price Trio someone we would host at SC?

I find the jazz world a little too stuffy these days,” Price says, “and have been wondering: why are the folk musicians having so much fun when we are having very little?”

Price says his newest album is intended to reach beyond the confines of the jazz world. His choice to cover material by artists like Nirvana and Sufjan Stevens in his latest work is an intentional decision designed to bridge the gap between the more every-day music lover and the sometimes hard-to-understand world of jazz.

I’m trying to find a balance with my new music between interesting, creative jazz and material that is accessible to a wide range of people (not just jazz nerds!) without being cheesy.”

Price and his bandmates, Julian Bradford on bass and Curtis Nowosad on drums, have logged a lot of time together. They’ve covered gigs such as CBC Canada Live and the 2010 Montreal Jazz Festival. In a testament to either their courage or their Manitoba hardiness, they’ve elected to tour Canada during these frigid winter months, and they’ll be appearing at Streaming Café on February 11th.

Landing as it does right in the Valentine’s Day season, an evening with the Keith Price Trio might be the perfect chance for a night out, with warm jazz filling the airwaves – yet jazz that is easy to get into even for the non-initiated listener. Keith has done an amazing job of opening up the world of jazz guitar to everyone through his choice of cover material. We think this is going to be a great night! Saturday February 11, live in person at 596 Leon Ave in Kelowna, or live online at StreamingCafe.net

Gaia/Goya is #2 this week on the national chart!

The National Jazz Chart

For the Week Ending: Tuesday, January 31, 2012

1 2 Sultans Of String CanCon Band Website Move Self-Released

2 re Keith Price Trio/Quintet CanCon Gaia/Goya Self-Released

3 3 Oliver Jones CanCon Live In Baden, Switzerland Justin Time

4 1 Eucalyptus CanCon Eeeeeuuucaaaaaaallyyypppptus Blocks Recording Club Label Website

5 — Janice Finlay Anywhere But Here Self-Released

6 — Belle Plaine CanCon Band Website Notes From A Waitress 13th Ave

7 10 Sunna Gunnlaugs Band Website Long Pair Bond Sunny Sky

8 6 Jacaszek Band Website Glimmer Ghostly International Label Website

9 re Ryan Davidson Trio CanCon Ryan Davidson Trio Self-Released

10 9 Ask The Oracle CanCon Ask The Oracle Self-Released

re = re-entry to chart

 

The Keith Price Trio – Western Canadian Tour – February 2012

Western Canadian Tour – February 2012

February 7th – Winnipeg, MB – CCFM

February 8th – Brandon, MB – The Music Studio

February 10th – Edmonton, AB – Yardbird Suite

February 11th – Kelowna, BC – The Streaming Cafe

February 13th – Golden, BC – The Winston

February 14th – Field, BC – The Truffle Pigs Bistro

February 15th – Lethbridge, AB – The Slice

February 16th – Calgary, AB – The Beatniq

February 19th – Winnipeg, MB – WECC (opening for Robert Glasper)